Dead Kennedys routinely top both critic and fan polls as the greatest punk band of their generation. Their debut full-length, Fresh Fruit for Rotting Vegetables, in particular, is regularly voted among the top albums in the genre. Fresh Fruit
offered a perfect hybrid of humor and polemic strapped to a musical
chassis that was as tetchy and inventive as Jello Biafra’s withering
broadsides. Those lyrics, cruel in their precision, were revelatory. But
it wouldn’t have worked if the underlying sonics were not such an
uproarious rush, the paraffin to Biafra’s naked flame.
Dead Kennedys’ continuing influence is an extraordinary achievement for a band that had practically zero radio play and only released records on independent labels. They not only existed outside of the mainstream but were, as V. Vale of Search and Destroy noted, the first band of their stature to turn on and attack the music industry itself. The DKs set so much in motion. They were integral to the formulation of an alternative network that allowed bands on the first rung of the ladder to tour outside of their own backyard. They were instrumental in supporting the concept of all-ages shows and spurned the advances of corporate rock promoters and industry lapdogs. They legitimized the notion of an American punk band touring internationally while disseminating the true horror of their native country’s foreign policies, effectively serving as anti-ambassadors on their travels.
The book uses dozens of first-hand interviews, photos, and original artwork to offer a new perspective on a group who would become mired in controversy almost from the get-go. It applauds the band’s key role in transforming punk rhetoric, both polemical and musical, into something genuinely threatening—and enormously funny. The author offers context in terms of both the global and local trajectory of punk and, while not flinching from the wildly differing takes individual band members have on the evolution of the band, attempts to be celebratory—if not uncritical.
“We have a sense
of humor and we’re not afraid to use it in a vicious way if we have to.
In some ways, we’re cultural terrorists, using music instead of guns.“
—Jello Biafra of the Dead Kennedys
“It was obvious that the
DKs weren’t just another band that was gonna come and go. They were
something special. Biafra was an absolute talent. And he had a band
behind him that were tight and good.“
—Howie Klein, concert promoter, disc jockey, and record label executive
“One day, this kid from my social studies class brought in a cassette tape of The Dead Kennedys’ Fresh Fruit for Rotting Vegetables and I listened to it and my life was changed completely.“
—Adam Gierasch, film director
Dead Kennedys : Fresh Fruit for Rotting Vegetables, The Early Years - Alex Ogg
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